INDEX OF COMPOSERS

COMPOSERS TIMELINE

VIDEOS

TABLATURE SYSTEM

TABLATURE SAMPLES

MIDI HISTORY

SUBMIT

LINKS

ANCIENT GUITARS

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Welcome to the fantastic world of classical guitar. In this site, you will find classical guitar pieces, in midi format, for one and more guitars: actually 5641 MIDI files from 96 composers. Information on how to create midi files and a tutorial on the tablature notation system is presented. Images of ancient guitars provided.

Version franaise  

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New Sequences by Franois Faucher

Now working on: G.F. Carulli's Gran Sonata Op.25


New.gif (284 octets) G.F.Handel's Sonata 2. Allegro 3.Adagio HWV368New.gif (284 octets)


New.gif (284 octets) .J.S. Bach's  Sonata largo BWV1079 New.gif (284 octets)

New.gif (284 octets) F. Carulli's Two Russian Airs with variations Op.110New.gif (284 octets)

New.gif (284 octets) .W.A.Mozart's Symphony No.41 (Jupiter) KWV551

.New.gif (284 octets) J.S. Bach's .Sonata 2. Fugue  BWV964 New.gif (284 octets)

.New.gif (284 octets) W.A. Mozart's Theme and variations on: "La belle Franoise" K353 New.gif (284 octets)

New.gif (284 octets) W.A. Mozart's .Rondo K.511 New.gif (284 octets)


In the vast spectrum of visual storytelling, no color carries as much psychological weight, cultural baggage, and visceral power as red. From the velvet curtains of a Broadway stage to the ominous "For Mature Audiences" splash screen on a streaming service, red entertainment content and popular media have become synonymous with intensity, danger, desire, and taboo.

Platforms like Twitch and YouTube have strict policies: red blood must be “stylized” (e.g., green or black blood in Dead by Daylight ) or presented in low saturation to avoid demonetization. This has created a schism. Mainstream often has to "grade down" its red content for advertisers, while premium platforms (HBO, Mubi, Shudder) lean into it as a selling point. Part VIII: The Future of Red Entertainment Content What does the next decade hold for the crimson wave? AI-Generated Red Media Generative AI (Sora, Runway Gen-3) is now capable of producing photorealistic horror and gore on demand. The question is no longer can we make red content? but how much can we make? AI will likely flood streaming services with low-budget "red content" — slashers, erotic thrillers, and body horror — produced by solo creators. This democratization may desensitize audiences further or, paradoxically, drive them back to curated, artistic red experiences. Virtual Reality (VR) Immersion VR horror games like Resident Evil 4 VR and The Dark Pictures: Switchback place the player directly inside a crimson nightmare. When you have to physically wipe blood off your virtual goggles, the line between observer and participant dissolves. Future red entertainment will be less about watching and more about surviving. The “Clean Red” Aesthetic A counter-movement is emerging. Some streaming services are launching "red content lite"—discrete audio descriptions of violence for the visually impaired, or "censor cuts" that use red negative space (a red screen with dialogue only) to imply gore without showing it. This may open red entertainment to demographics that previously found it inaccessible. Conclusion: The Eternal Allure of the Crimson Red entertainment content is not a trend. It is a primal constant. From the ochre handprints in prehistoric caves to the 4K HDR blood splatter in The Last of Us , humanity has always used red to tell stories that matter—stories of survival, lust, loss, and revolution.

But what exactly constitutes "red entertainment"? It is more than just a color palette. It is a genre-bending classification that spans horror, erotic thrillers, ultraviolent action, and politically charged satire. Historically, red has been used as a signal flare to the audience: Pay attention. Something dangerous or sensual is about to happen.

Popular media will continue to evolve. Platforms will rise and fall. Censorship laws will tighten and loosen. But the color red will remain the entertainment industry’s most potent tool. It is the color of the warning label, the forbidden door, and the beating heart.


Composers are grouped in 6 pages: A-B; C-F; G-L; M-O; P-R; S-Z . J.-S. Bach ,  A. Barrios Mangore , N. Coste , M. Giuliani , F. Sor and F. Tarrega are on their own page

Click here to listen to 20 great MIDI from the site


Composers in alphabetical order

Red Wepxxxcom New -

In the vast spectrum of visual storytelling, no color carries as much psychological weight, cultural baggage, and visceral power as red. From the velvet curtains of a Broadway stage to the ominous "For Mature Audiences" splash screen on a streaming service, red entertainment content and popular media have become synonymous with intensity, danger, desire, and taboo.

Platforms like Twitch and YouTube have strict policies: red blood must be “stylized” (e.g., green or black blood in Dead by Daylight ) or presented in low saturation to avoid demonetization. This has created a schism. Mainstream often has to "grade down" its red content for advertisers, while premium platforms (HBO, Mubi, Shudder) lean into it as a selling point. Part VIII: The Future of Red Entertainment Content What does the next decade hold for the crimson wave? AI-Generated Red Media Generative AI (Sora, Runway Gen-3) is now capable of producing photorealistic horror and gore on demand. The question is no longer can we make red content? but how much can we make? AI will likely flood streaming services with low-budget "red content" — slashers, erotic thrillers, and body horror — produced by solo creators. This democratization may desensitize audiences further or, paradoxically, drive them back to curated, artistic red experiences. Virtual Reality (VR) Immersion VR horror games like Resident Evil 4 VR and The Dark Pictures: Switchback place the player directly inside a crimson nightmare. When you have to physically wipe blood off your virtual goggles, the line between observer and participant dissolves. Future red entertainment will be less about watching and more about surviving. The “Clean Red” Aesthetic A counter-movement is emerging. Some streaming services are launching "red content lite"—discrete audio descriptions of violence for the visually impaired, or "censor cuts" that use red negative space (a red screen with dialogue only) to imply gore without showing it. This may open red entertainment to demographics that previously found it inaccessible. Conclusion: The Eternal Allure of the Crimson Red entertainment content is not a trend. It is a primal constant. From the ochre handprints in prehistoric caves to the 4K HDR blood splatter in The Last of Us , humanity has always used red to tell stories that matter—stories of survival, lust, loss, and revolution. red wepxxxcom new

But what exactly constitutes "red entertainment"? It is more than just a color palette. It is a genre-bending classification that spans horror, erotic thrillers, ultraviolent action, and politically charged satire. Historically, red has been used as a signal flare to the audience: Pay attention. Something dangerous or sensual is about to happen. In the vast spectrum of visual storytelling, no

Popular media will continue to evolve. Platforms will rise and fall. Censorship laws will tighten and loosen. But the color red will remain the entertainment industry’s most potent tool. It is the color of the warning label, the forbidden door, and the beating heart. This has created a schism

 

 

FLAMENCO

Paco de Lucia  ; Sabicas 

 


Note to MIDI sequence contributors

Your submissions are welcomed.  Please send them by e-mail (end of text)Pieces should bear the composer's name and be properly identified.(ex.: J.K. Mertz (1806-1856) Nocturne Op.4 No.2.). The submissions should bear information on the transcriber or arranger when available. The submitter's name will appear beside the accepted submission.   

This site exists primarily to showcase pieces written for the classical guitar. Established and recognized transcriptions and arrangements (e.g., Tarrega, Segovia,..) of pieces written by non-guitar composers will also be given high priority.  

New compositions for the classical guitar are also welcomed.  New compositions that meet quality guidelines will be added to the site. For new contributors, it would be appreciated if you would also submit several pieces by known composers in addition to your own compositions.  This will help to expand the repertoire of established works for the classical guitar in addition to expanding the repertoire of new music. 

 

Last update: March 8 2026

Copyright Franois Faucher 1998-2025

INDEX OF COMPOSERS

COMPOSERS TIMELINE

VIDEOS

TABLATURE SYSTEM

TABLATURE SAMPLES

MIDI HISTORY

SUBMIT

LINKS

ANCIENT GUITARS